02017nlm0 22002051i 450 001001300000006001900013007001500032008004100047020001800088040000800106100002100114245012500135260001200260260003000272300001100302520122900313856009301542856009601635856008001731HARMA 164660m    g0  d        cr mn ---auama251101c               go  d        fre    a9782343230313  bfre0 aÁrpád Kékesi Kun  aAmbiguous Topicality - A philter of state-socialist hungarian theatrebA philter of state-socialist hungarian theatre -   aParis :  bEditions L'Harmattan  a216 p.  aThis monograph examines the Hungarian theatre between 1949 and<br>1989 and uses Philther as the method of writing theatre history. In line<br>with the Philther categories, the twelve performance analyses comprise<br>six units: the context of the performance in theatre culture; dramatic text<br>and dramaturgy; staging; acting; stage design and sound; the impact<br>and posterity. They focus on the beginning, middle and end of state<br>socialism through the productions of three different theatres. The first four<br>chapters examine shows of the Operetta Theatre in Budapest immediately<br>following the nationalization of cultural institutions. The next six chapters<br>deal with performances of the National Theatre during the consolidation<br>of the Kádár regime, and the last two chapters present productions of the<br>Katona József Theatre shortly before the regime change. They all address<br>the question of topicality, the adaptation of stories to contemporary<br>expectations, which often involved the emergence of ambiguity and the<br>involuntary shift of interpreting stage events in the light of the spectactors own situation.40uhttps://www.editions-harmattan.fr/catalogue/couv/9782343230313r.jpg2Image de couverture40uhttps://www.harmatheque.com/downloadebook/97823432303132Télécharger le livre au format PDF40uhttps://www.harmatheque.com/readebook/97823432303132Lire ce livre en ligne