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ARTS DE S'INTÉGRER : PROLÉGOMÈNES AFROPOLITAINS

André Yinda

Le présent propos constitue l'ébauche d'une réflexion sur la conditionpolitique des afr...

THE BLACK PRESENCE: TOWARDS A HISTORY OF BLACK BRITONS

James Walvin

The history of black people in England has moved in one generationfrom a position of marginality ...

SQUINTING AT THE EUROPEAN'OTHER': IRONIC DISTANCE AS POSTCOLONIAL RESISTANCE STRATEGY IN AMA ATA AIDOO'S OUR SISTER KILLJOY

Katrin Berndt

Compared to the considerable number of works by African writers setin former colonizing countries...

L'ANTI/INTELLECTUEL : L'INDIVIDU POSTMODERNE AFRICAIN

Carmen Husti

1. Postmodernisme et postcolonialismea. Parenté des termesAu cours des dernières décennies, la li...

"WHAT IS AFRICA TO ME?" THE MNEMOPOETICS OF AFRICA IN AFRICAN AMERICAN DRAMA

Valérie Bada

"History is what hurts." Fredric Jameson made this statement in 1981to free history from the refe...

AFRICAN DIASPORA AND THE AFRO-GERMANS

Tomi Adeaga

IntroductionThe African Diaspora is defined by a multiplicity of voices, whichhave yielded a wide...

ANONYMOUS

Chika Unigwe

Walking anaesthetizes me. I walk. I walk until my head no longerfeels like it is stuffed with a n...

MIGRATION CLANDESTINE DANS L'AUTRE FACE DE LA MER DE LOUIS-PHILIPPE DALEMBERT

Gaëlle Cooreman

La problématique migratoire haïtienne, et particulièrement celle desréfugiés haïtiens, reflète l&...

LANGUE ET LEXIQUE DANS LE ROMAN BÉNINOIS : LES EMPRUNTS AUX LANGUES NATIONALES


1. IntroductionLe présent article se propose de prospecter la façon dont le milieusocioculturel i...

OF FRENCH FRIES AND COOKIES: CHIMAMANDA NGOZI ADICHIE'S DIASPORIC SHORT F

Daria Tunca

Anglophone Nigerian literature started to receive widespread recognitionas early as the 1950s, an...
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